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Howe, Irving, 278–279 |
Howells, William Dean |
“Editor’s Study” columns, 46, 48, 52, 84, 119, 127, 130, 152, 239, 263, 283 |
postmodern characteristics of, 9–10, 22–24, 38, 93–94, 101, 119, 123–125, 134, 138, 140–143, 194–195, 251, 259, 289n15 |
and religion, 42–43, 53, 58, 108, 138–141, 178–179, 185, 196–197, 200–201, 216, 229 |
and romanticism, 7, 14, 39, 45–46, 48–49, 51, 55, 59, 69, 75, 93, 99, 128, 154, 159, 170, 180, 206, 294n7 |
works |
“The Art of the Adsmith,”, 88–89 |
Between the Dark and the Daylight,, 3, 10, 70, 99–100, 102, 143, 146, 245, 247, 288n10 |
Howells, William Dean (continued) |
Criticism and Fiction,, 48–50, 52, 55, 88, 128, 133, 159, 164, 193–194, 199, 207, 239, 285 |
“The Decay of American Manners,”, 44 |
“The Eidolons of Brooks Alford,”, 7, 102, 135, 137–138, 143, 165, 245–250, 252–255 |
Italian Journeys,, 110–111 |
“The Magic of a Voice,”, 245–248 |
“The Man of Letters as a Man of Business,”, 87 |
“A Memory That Worked Overtime,”, 7, 135, 146–152, 155–156, 165, 248 |