Conducting the Wind Orchestra: Meaning, Gesture, and Expressive Potential
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Husa, Karel (continued)

Music for Prague 1968,, 113–125

Hussite War Song, 114–116

intensity curve, 121, 123, 160–161

interpretation. See also Hermerén, Göran

vs. appropriation, 4–5

nature of, 2–17

subjective, 7

interpretative listening, 58

Jefferson, Thomas, 29

Johnson, Christopher M., 81

Johnson, Peter (ergonomist), 71

Johnson, Peter, 56, 60

Karajan, Herbert von, 6, 16, 19–21

Keller, Hans, 84

Koch, C. J., 78–79

Leinsdorf, Erich, 9, 19–20, 72, 81, 84–85

Lewis, Diane, 83

Lidov, David, 73–74

Marine Band, United States, 29, 31–32

Mason, Lowell, 35

Maus, Fred Everett, 56

melosSee also Wagner, 10.

MENC. See Music Educators National Conference

Mendelssohn, Felix, 8

Mennin, Peter, 34

Michael, David MoritzSee also Harmoniemusik, 29.

motion theory, 78

music education

Music Educators National Conference, 36

Reimer, Bennett, 36

school music, 37

National School Band Association, 36

Nattiez, Jean-Jacques, 58, 68

performance

creative performance, 13, 16

objective performance, 7

perfect musical performance, 4, 8

perfect performance of music, 4, 8

subjective performance, 7, 13

Persichetti, Vincent, 34

physical gestures

confirmative, 76–77

corrective, 77–78

iconic, 74

indexical, 74

prescriptive, 76–77

referentialSee also Koch, C. J., 78.

Piston, Walter, 34

Price, Harry, 18

Rachleff, Larry, 49

Ratner, Leonard, 62, 65, 119

Rattle, Sir Simon, 48