W. H. Auden's Poetry: Mythos, Theory, and Practice
Powered By Xquantum

W. H. Auden's Poetry: Mythos, Theory, and Practice By R. Victoria ...

Chapter 2:  The Quest Perilous
Read
image Next

This is a limited free preview of this book. Please buy full access.


And he asks,

For such wayfarers,
what should we write to give them the nourishment,
warmth and shelter they'll be in need of?

For Auden, the question had an immediate answer, however partial:

… to give a stunning
display of concinnity and elegance
is the least we can do, and its dominant
mood should be that of a Carnival.
Let us hymn the small but journal wonders
of Nature and of households, and then finish
on a serio-comic note with legends
of ultimate eucatastrophe,
regeneration beyond the waters.1

The poem is, in a way, a manifesto. It describes the large social and artistic problems of the age and both states and embodies Auden's solutions. While its complexity of concerns makes it a difficult poem to paraphrase, one of the things it establishes is the connection between the search for the Good (i.e., the Moral) Life (“a stern venture pre-figured in folk-tales / as the Quest Perilous”) and the poet's positive contribution to fellow and future wayfarers. Theme, diction, and verse-form are elaborately integrated. The manner of integration—through Auden's delicate counterpoising of sentiments and graceful adherence to pattern—is as important a part of the poem's meaning as its studied arrangement of personal attitudes.2

Auden reiterated the fundamental point of “Epistle to a Godson” in “The Garrison,” composed a month later:

… to serve as a paradigm
now of what a plausible future might be
is what we're here for.3