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palacio de las blanquísimas mofetas, El, 159n1 |
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patriarchal, 21, 23, 76, 92, 94, 105, 109–110, 114, 126, 128, 131, 140, 142, 147–148, 150, 153–154 |
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Pérez Stable, Marifeli, 108 |
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Persecución: cinco piezas de teatro experimental, 95, 146, 156 |
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postcolonial, 2–4, 6, 19–20, 23, 25, 30, 53, 55–58, 118, 149 |
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Prospero, 3, 5, 8, 14–27, 31, 33, 35–39, 41–51, 55, 58, 69, 82, 89–90, 96–97, 149, 156, 158, 160n2, 163n12, 163n16 |
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“Prospero complex,”, 49 |
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Puig, Manuel, 144 |
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Reid, John T., 40 |
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resistance, 2, 24, 32–33, 35, 48, 56, 75–76, 82, 88, 91–93, 156–158 |
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revolutionary government, 5, 9, 60, 64, 77, 79, 82–83, 86–89, 96–97, 104, 113, 121, 132, 154, 156, 170n42 |
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revolutionary social consciousness, 2, 58, 60–61, 66, 76, 99, 108–109, 116, 132, 146 |
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Rodríguez, Alicia, 142 |
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Sánchez-Eppler, Benigno, 119 |
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Sardar, Ziauddin, 151 |
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Sarup, Madan, 6 |
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Seidman, Steven, 122 |
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Shakespeare, William, 2, 11–12, 17–19, 28, 37, 39, 50, 156, 163n13 |
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Shohat, Ella, 54 |
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Skura, Meredith Anne, 12–13 |
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Soto, Francisco, 62, 64–66, 75, 83, 85, 92, 94, 103, 105, 113, 123, 132, 134, 146–147, 149 |
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Soto, Leondro, 98 |
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Spivak, Gayatri, 57 |


