culture |
Western, 108 |
Death Comes for the Archbishop (Cather), 2, 9, 12, 14, 29–70, 141, 153, 163–164, 168, 175–177 |
desert, 19, 25–26, 35, 41, 43, 47, 49, 52–54, 59, 129, 137, 143, 158, 160, 181 |
dialectic, 65–68, 107, 141, 164–165, 167–168, 170–171, 178–179 |
discourse |
androcentric, 122 |
Western, 5, 7–8, 72, 87–88, 95, 123, 128, 133, 135–138, 145–146, 163–165, 180 |
discursive |
community, 4 |
containment, 7 |
Edge of Taos Desert: An Escape to Reality (Luhan), 2, 9, 11–12, 14, 71–113, 122, 141, 161, 163–164, 168–169, 176–178 |
Euro-American, 1, 6, 9–10, 13–14, 17–18, 20, 24–26, 71–73, 83, 111–112, 114, 126, 141, 143, 153, 162–163, 176, 181–183 |
European, 1, 3, 9, 13, 17–18, 20–21, 23–26, 29–30, 32–37, 40–44, 46–55, 57, 62, 64–65, 67–68, 86–87, 95, 141, 144–145, 153, 180–183 |
food (as cultural transmission), 47, 49–52, 70, 83, 107–111, 153 |
foundation, 1, 12, 14, 21, 26, 31, 36, 43, 53, 55–56, 63, 72, 83–84, 86, 97, 114, 130, 132, 138, 161–162, 168, 175, 177 |
Franklin, Sara (character), 10–11, 14, 113–144, 161–162, 164, 168, 175–176 |
gaze, 41–42, 72, 75, 86–88, 90–92, 95–97, 99, 111, 116, 142, 160 |
the good, 39, 65–66, 68, 103, 105–106, 133–137, 141–142, 164, 168, 178–179 |
guide, 55, 66, 103, 105, 111, 116, 128–129, 132, 134, 138, 143, 154–155, 157, 160, 165, 171, 179–181, 183 |