Plate 32. Juxtapositions of masculine and hyper-feminine women's bodies with suggested lesbianism (Alison Skipworth as Miss Mabel Jellyman and Mae West as Maudie, Night After Night, Paramount Pictures, 1932).

71

Plate 33. Hyper-feminine bodily plentitude (Belle of the Nineties, Paramount Pictures, 1934).

73

Plate 34. The hyper-feminine sexualized body and the aging body (Mae West and Alison Skipworth, Night After Night, Paramount Pictures, 1932).

75

Plate 35. “It's a gift dearie; it's a gift.” (Mae West, Gertrude Michael, I’m No Angel, Paramount Pictures, 1933).

77

Plate 36. The much younger Lord Carrington escorts the new Lady Carrington from the bedroom (Goin’ To Town, Paramount Pictures, 1935).

79

Plate 37. “Suckers” (I’m No Angel, Paramount Pictures, 1933).

81

Plate 38. “Am I making myself clear, boys?” (I’m No Angel, Paramount Pictures, 1933).

81

Plate 39. The audience as “suckers” (I’m No Angel, Paramount Pictures, 1934).

82

Plate 40. Mae West as the quintessential American sex goddess (Belle of the Nineties, Paramount Pictures, 1934).

83