The Sex Goddess in American Film, 1930–1965: Jean Harlow, Mae West, Lana Turner, and Jayne Mansfield
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The Sex Goddess in American Film, 1930–1965: Jean Harlow, Mae Wes ...

Chapter 1:  Sex as Cinematic Capital
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Chapter 1

Sex as Cinematic Capital

Jean Harlow and
the Economy of the Gold DIGGER

Kitty (Jean Harlow). I was reading a book the other day.
Carlotta (Marie Dressler). Reading a book?
Kitty. Yes. It's all about civilization or something. A nutty kind of book. Do you know the guy says that machinery is going to take the place of every profession?
Carlotta. Oh, my dear, that's something you need never worry about.
Dinner at Eight (1933)

“Kitty” Packard (Jean Harlow), a former-bar-girl-turned-rich-man's-wife, first appears in George Cukor's Dinner at Eight in bed, lolling around in the middle of the day eating chocolates. She's wearing a see-through white satin nightgown and filmy dressing gown trimmed with ridiculously oversized chiffon net sleeves that emphasize her hyper-femininity each time she waves her arms, which she often does for dramatic effect.