Technologies of Power in the Victorian Period Print Culture, Human Labor, and New Modes of Critique in Charles Dickens's Hard Times, Charlotte Brontë’s Shirley, and George Eliot's Felix Holt
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Bourdieu, Pierre, 7, 75–76, 140n16

“The Forms of Capital,”, 140n16

Masculine Domination, 140n16

“On Symbolic Power,”, 7, 140n16

Outline of a Theory of Practice, 75–76, 140n16

bourgeois public sphere, 9, 12

Brontë, Charlotte, 1, 5–6, 12, 18, 63–66, 68–70, 73, 78, 82, 92–93, 98–99, 131, 133, 137n4, 140n20

Shirley, 1, 18–19, 63–64, 66, 70–72, 79, 82, 92, 98–99, 102, 132–133, 137n4, 140n20

Burnett, John, 23

The Annals of Labour: Autobiographies of British Working Class People, 1820–1920, 23

carnival, 39–42

carnivalesque, 35, 50

caro, 39

Carroll, Joseph, 56

Evolution and Literary Theory, 56

Cartwright, Reverend Edmund, 12

Circus Flaminius, 40

Circus Maximus, 41

Clewell, Tammy, 94, 141n21

“From Destructive to Constructive Haunting in Toni Morrison's Paradise,”, 94, 141n21

Cocker, Edward, 49

Communicative Action. See Theory of Communicative Action

Connor, Steven, 38, 48, 52

“Deconstructing Hard Times,”, 38, 48, 52

contagion theory, 72, 78, 81

convergence theory, 78–79

cultural heterogeneity, 38

Darwin, Charles, 56

The Origin of Species by Means of Natural Selection, 56

decentering, 15

deindividuation, 81–82

Defoe, Daniel, 49

Robinson Crusoe, 49

Delueze, Giles, 92–93

Dialogues, 92–93

Derrida, Jacques, 14–15, 27, 29–30, 103–104, 123–126, 142–143n35

Of Grammatology, 14–15, 27, 29–30, 103–104, 123–125

Specters of Marx, 124

Speech and Phenomena, 142–143n35

Writing and Difference, 15