Re-Presentations of Dante Gabriel Rossetti: Portrayals in Fiction, Drama, Music, and Film
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Re-Presentations of Dante Gabriel Rossetti: Portrayals in Fiction ...

Chapter 1:  Introduction
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The relationship between Rossetti and his wife, including the role their marital difficulties may have played in her illness and depression, prompted speculation at the time, and indeed ever since. Helen Rossetti Angeli, anxious to comment authoritatively, describes the family’s attitude toward Lizzie and their understanding of the relationship her uncle had with her:

All through their engagement and brief married life, Lizzie was a very sick woman, neurotic, inclined to melancholia, often seriously ill, with a tuberculous tendency, if not actually consumptive. To alleviate her suffering—neuralgia among others—she had for some time before her death been addicted to laudanum, accompanied by brandy. Rossetti’s love for Lizzie was patent to all: demonstrative, exclusive, and self-sufficing, it long absorbed his life and work. As time advanced and her health declined, his affection and patience under trying conditions did not fail, but it is now generally asserted that he gave her much cause for jealousy. (Angeli xvi)

According to Jan Marsh, Angeli was possibly responding to gossip and tales that had developed around Rossetti in the 1920s and 1930s, especially those hinting at his infidelity and adultery (Legend 79). Speculation about the relationship between Dante Gabriel and Lizzie and elaborate embroidery upon the generally known facts were habits that began before the turn of the century and took firmer hold after William Michael’s death in 1919 (Marsh, Legend 79). Partly to counter such gossip, William Michael and some of the other Rossettis, along with Ford Madox Brown, assisted Joseph Knight in 1887 to publish his The Life of Dante Gabriel Rossetti. This was a widely noted work that, as Marsh points out, appeared in a Great Writers Series (Legend 35). Knight recounts a seamless courtship and life together: Miss Siddal becomes Rossetti’s model and afterward his pupil. They become attached to each other, there is a betrothal, and they marry on May 23, 1860.

But Knight encountered difficulty with the story of a “long engagement” mentioned by William Rossetti. In fact, “none of the correct formalities had been observed: there was no announcement, no ring,