Chapter 1: | Introduction |
Although the title of Waugh’s work declares its subject to be the “Life and Works” of Rossetti, the main character is absent from much of the text. It is a piecemeal work, with much commentary devoted to other figures of the Pre-Raphaelite movement, rather than a focused biography. Even with respect to Rossetti, Waugh writes more as an art critic than as a true biographer. He allows to stand the stereotype of Rossetti as a sensual man whose life was devoted to painting a variety of beautiful women and to their subsequent seduction. Marsh maintains that this characterization “was increasingly common in contemporary fiction and drama and in large measure the alteration in Rossetti’s character was a direct reflection of the age” (Marsh, Legend 87).
The alteration of the perception of Rossetti’s character was amplified four years later, in 1932, by Violet Hunt’s The Wife of Rossetti, Her Life and Death. Marsh elucidates Hunt’s