Abbey theatre, 65, 72–74, 78, 80, 83–84, 144n107

contrasted with the Gate, 65, 72–73, 78

Ainley, Henry (English actor), 87

Adams, Franklin P. (“F. P. A.”), 45–46, 140n64

Agate, James (English drama critic), 43, 52

American Spectator, 23, 135n31, 136n37

Anderson, Benedict, 15, 38

archive, 41–43, 54, 59, 62–63, 138nn58–59, 142n88, 143n96

Derrida and the, 41, 138–139n58, 143n96

Foucault and the, 138–139n58

material culture and the, 42, 63, 138n58

Arletty (French actress), 95

Askin, Leon (Austrian actor), 108–109, 148nn160–161

Atkinson, Brooks, 25, 53, 56, 141n79

as beloved critic, 25

Aufklarung (German term for the Enlightenment), 14

Baaraová, Lida (Czech actress), 95

Bab, Julius (German critic and playwright), 28, 86–87

Baker, George Pierce, 5, 47, 140n69

Bassermann, Albert (German actor), 85, 89, 109

Beaton, Cecil, 128

Beaumont, Hugh (“Binkie”), 112

Benchley, Robert, 46, 140n67

Bernhard, Thomas, 31, 35–38, 84, 137n46

contempt for Austrian society, 31, 36, 137n52

parallels with O’Neill, 31, 35, 37

Bhabha, Homi, 2–3, 15, 27, 81, 133n9, 135n23, 136n39

“doubled subject” concept of, 81

“location of culture” concept of, 2, 17, 136n39

Brown, John Mason, x, 7–8, 41–64, 138n58, 139nn60–63, 140n66, 140n69, 141n73, 141n76, 141n79, 142n88, 143n90, 143n93

as establishment figure, 59