society of production, 9, 138, 180, 194

L’Armée des ombres , 141, 174–176

La Bataille du rail , 131–132

Battle of Algiers , 131–132

Le Chagrin et la pitié , 161, 174–176

definition, 234

La Grande Illusion , 76, 95–97

Hiroshima mon amour , 219–220

J’Accuse , 53–54

Laissez-passer , 186, 207–209

Un long dimanche de fiançailles , 207–209

Une affaire de femmes , 53–54, 57

Les Visiteurs du soir , 77, 88, 94–97

social class, 44, 50–51, 60–61, 68, 71, 90, 95, 97, 121, 136, 154, 161–162, 166, 171–172, 176

Solinas, Franco, 117–118

Solinas, PierNico, 117

Sorlin, Pierre, 4–6, 75

Spaak, Charles, 192

Stam, Robert, 124, 236

Sterritt, David, 205–207

Stroheim, Eric von, 60

symbolism, 15, 29, 47–48, 68–71, 77, 80–83, 110, 138, 145, 185–186

Szpiner, Français, 14, 33–40, 50–52

Tausend, Helmut, 163, 166, 169

Tautou, Audrey, 198, 201

Tavernier, Bertrand, 182–196

New History, 183

Third Republic, 88–91

Tillion, Germaine, 121

Truffaut, François, 78, 120, 212

Turk, Edward, 84–85, 91

vector of memory, 34, 52, 76

Verdier, Jacques, 163, 166, 169

Vichy See also French State, 33, 39–41, 43–44, 47, 49–51, 54, 88–90, 94, 96, 102–103, 111, 136, 162, 184, 189, 192

Vincendeau, Ginette, 59

voyeurism, 41–44

Welles, Orson, 63

White, Hayden, 138

Winter, Jay, 24–25, 76

women, 37, 41, 51, 72–75, 83, 86, 121, 124–127, 147, 169, 198–201, 209

See also gender

rights, 49–50

role in writing history, 163–164, 168, 183

Vichy ideal, 41, 43, 47, 50, 89, 94

World War I, 8, 10, 14, 16, 23, 25, 32, 53–54, 76, 95–97, 196, 198–201, 204, 209, 221

La Grande Illusion , 60–76, 96

J’Accuse , 16–32, 54

Un long dimanche de fiançailles , 196–207, 209

Winter, Jay, 24–25, 76