Martin, W., 3, 110, 112, 127, 135

Master Thumb, 71–76, 89

Maung Htin Aung, xi, 2–3, 23, 127

mediation, 35, 72, 77–78, 89

Miller, E., 130

Mister Industry, 62, 67

Mister Luck, 62, 67

moon, 28, 76, 82

moral, 16, 18–19, 30, 96, 112, 117–120, 123, 129

immoral, 117

morphology, 11, 104, 111, 141

morphological, 11–12, 111, 126, 135

mother, 39–42, 72, 79–81, 97–98

motifeme, 12–13

move, xiii, 13, 27–29, 33, 37–39, 41–45, 47–48, 51, 53, 59, 62–72, 74–79, 81, 85, 89–91, 93–100, 102–104, 106, 113–116, 119, 121, 126

multimodality, 129

Myanmar. See Burma; Burmese

narration, 6

narrative, xiii, 2–3, 5–19, 22, 24, 28–29, 31, 103, 105–108, 111–112, 114, 117, 119, 125, 127, 130–131, 134–140

content, xi–xiii, 116, 118, 120, 122–123, 126, 133

dimension, xii, 18–19, 22–23, 29, 31, 84, 108, 127, 129

narrative (continued)

motif, 4, 21, 110, 123, 135

role, xiii, 12, 24–25, 37, 39, 43, 47–48, 50–51, 54–55, 57, 59–60, 69, 71, 79, 82, 96, 104, 111, 113–119, 121, 123, 136

structure, xi–xiii, 2, 4, 7–9, 13–23, 28, 30–31, 50, 52, 54, 84, 92, 99–100, 102–104, 106–107, 109–111, 113–123, 126, 128–129, 133–135, 140–141

narrativity, 136–140

narratology, 111, 137

narratological, 7, 138

narrator, 10, 28

Ochs, E., xii, 7–8, 17–19, 22–23, 29, 31, 84, 92, 103, 105–108, 127–129, 137

opium-eater, 42, 45–46, 62, 67–69, 93–95, 104

Oring, E., 9

Pali, 68, 93–94, 117

parallel, 20, 101, 115–117, 119

in parallel, 104, 118

parallelism, 104, 131

Pellowski, A., 132

performance, 128–132

pheasant, 62, 65

plot, xi, 4–5, 7–9, 12, 17, 20–22, 25, 30–31, 92, 100, 103, 105–108, 125–126, 136, 138–140