Dramatic Theories of Voice in the Twentieth Century
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Dramatic Theories of Voice in the Twentieth Century By Andrew Ki ...

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Falk, Dean, 38–39, 43

Fauconnier, Gilles, 110

Féral, Josette, 239–240

Finley, Karen, 24, 237–238, 241, 249–251, 261–262

Constant State of Desire The, 249

We Keep Our Victims Ready, 249

Fischer-Lichte, Erica, 166–167, 170

Foley, William, 43–44

Forced Entertainment, 238

Foreman, Richard, 24, 236, 239–240, 245–248, 256, 261–262

Angelface, 246

Book of Splendors The, 246

Ida-Eyed, 246

Pandering to the Masses, 247

Foster, Hal, 237

Foster, Mary LeCron, 56

Foucault, Michel, 23, 208–209, 212, 223–225, 227, 235, 238, 238, 251

Frege, Gottlob, 11, 17, 26, 68, 72, 135–136, 157–158, 160

Freud, Sigmund, 218–220, 266n26

Fuchs, Elinor, 126–129, 236–238

Futurism, 108, 130

Ginsberg, Allen, 258

Glass, Philip, 243–244

Gluckman, Max, 155

Gogol, Nikolai, 238

Inspector General The, 238

Goldberg, RoseLee, 252

Goodall, Jane, 41, 43

Gray, Spalding, 255–257

Grotowski, Jerzy, 20, 22, 26, 108, 110–111, 115–121, 123–124, 126–127, 129

Handke, Peter, 23, 173–177, 194–200

Kaspar, 197–200

Offending the Audience, 195–197

Self-Accusation, 195

Harries, Martin, 248

Havelock, Eric, 7–8, 14

Heidegger, Martin, 21, 23, 68, 70–71, 73, 81–102, 104–105, 111–115, 117, 119–120, 152, 201–204, 216, 226, 271n9

Heraclitus, 10

Heuvel, Michael Vanden, 129–130, 237, 240

Hewes, Gordon, 42–43

Hoffman, Dustin, 164, 167

Holloway, Ralph, 38–39, 43

Holmberg, Arthur, 241, 244–245

Homo erectus, 32–33, 40, 43

Homo habilis, 31–32, 38–40, 44, 52–53

Homo sapiens, 32–33, 38, 40, 52, 57, 267n14

Homo sapiens sapiens, 33, 38, 43–44, 50–52

Hopi, 149–151

Hughes, Holly, 237, 249

Humphrey, Nicholas, 49

Husserl, Edmund, 21, 68–85, 89, 92–94, 96–97, 100–101, 104–105, 109, 111, 122–123, 126, 131, 135, 139, 142, 149, 152, 163, 171, 193, 213–216, 218, 226, 262

Ihde, Don, 18, 111

image schemas, 262

Indo-European languages, 133, 137, 137, 144

Innis, Harold, 7–8, 13–14