Hanlin Academy, 21

Jixian Academy, 21

Homer, ix, 226, 228, 321

Iliad, ix, 226, 228, 321

shield of Achilles, ix, 226

prototype of interartistic analogy, ix

Hong Mai, 224–225, 269

Rongzhai shihua, 224–225, 269–270

huaba, xi

huaji, xi

huaming, xi, 1–2, 4

prototypes of tihuashi4–5

Huang Gongwang, 139, 144, 147–151, 278

Huang Tingjian, xii, 91, 108, 110, 113, 117–121, 127, 198, 202, 267–268

Huang Ziyun, 158

huazan, xi, 1–2, 4

prototypes of tihuashi4–5

ideogram, 327

interartistic poetics

Chinese interartistic poetics, xvi, 78

Chinese interartistic tradition, 331

interartistic analogy ix

interartistic comparison, 218

interartistic complementarity and holisticity, 190

interartistic mannerism, 66

interartistic perspective, 219

interartistic reciprocity and resonance, 102

interartistic studies, xv

interartistic virtuosity, 121

verbal-visual convertibility or conversion, 47, 271

interartistic poetics (continued)

verbal-visual intertextuality, 128, 224

verbal-visual relationship, 15

Jiaoran, 54, 64–71

elevates painting to a Taoist art, 66

interartistic poetics, 66

Shi shi, 64

xiang wang shen yu, 66

jieti fahui, 279

jieyi panbo, 142, 252–254

Jin Nong, 176–177, 288–289

Jin Shengtan, 214, 288

Du shi jie, 214

Lessing, Gotthold Ephraim, 228, 260

Laocoön, 228, 260

Li Bai (Li Taibai), xv, 2, 21, 33, 36, 38-49, 71, 86, 90, 134–135, 141, 168, 181, 241, 245, 256, 299, 319–320

celebration of nature and landscape, 46

comparison with Du Fu, 48–49

fascination with landscape painting, 39

fenggu, 38, 168

gufeng, 38

interartistic taste, 48

mengyou, 39, 43

mythopoeic imagination, 39, 46

ruhua, 48

stylistic predilection, 38

Taoist aspirations, 48

yuefu, 38

Li Gonglin (Li Longmian; Li Boshi), 97, 108, 110, 127, 240, 319

Picture of the Elegant Gathering in the West Garden, 108