The Lyrical Resonance Between Chinese Poets and Painters: The Tradition and Poetics of Tihuashi
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Poem and Poet Index

“A Monochrome Painting of Pines and Rocks” (Fang Gan), 82

“A Scroll of Black Ink Bamboo and Narcissus” (Li Shan), 324

“A Self-Portrait Sent to My Husband” (Xue Yuan), 81

“About a Beauty Viewing a Painting Written at the Request [of Emperor Jianwen]” (Yu Jianwu), 11

“After Snow, Sent to the Recluse Fushan from the Yellow Tower of City Gate” (Chen Shidao), 136

“Ascending Mt. Tianmu in a Dream: Farewell Song” (Li Bai), 46–47

“Assistant Magistrate Zhang Zao’s Wall Painting at Yuanmen Monastery in Changsha” (Li Qunyu), 80

“At the Request of Ouyang [Xiu], the Prince’s Preceptor, Written on His Stone Screen” (Su Shi), 126

“Bamboo and Rocks” (Zheng Xie), 293

“Banana Trees” (Jin Nong), 288–289

“Colored Landscape” (Chen Ziang), 31

“Complementing a Landscape by Bada Shanren” (Shitao), 315

“Crossing the Lake” (Yu Gui), 137

“Deer Enclosure” (Wang Wei), 236

“Echoing the Hanlin Su [Shi]’s ‘Writing About the Wild Geese Painted by Li Jia’” (Chao Buzhi), 122–123

“Echoing the Rhymes of a Poem About the Supine Bamboo Painted by Huang Binlao” (Huang Tingjian), 92

“Echoing the Rhymes of ‘Song of the Withered Tree’ by Wu Chuanzheng” (Su Shi), 126, 238–239

“Echoing Zhang Jucheng’s Monochrome Plum Blossoms” (Chen Yuyi), 132

“Eight Sights in Fengxiang County: The Paintings by Wang Wei and by Wu Daozi” (Su Shi), 257