Dao de jing, 8

Deng Chun, 90, 97, 100

appraisals of Tang and Song poets, 124

citing tihuashi, 123

Hua jiHua ji94–96, 90, 90, 98

Deng Xiaojun, 201

Dong Qichang, 164–165, 175, 180, 267–268, 316, 323

shiqi, 164

Southern School and Northern School of painting, 164, 180, 267

Du Fu, xii, xv, 1–2, 13, 20–21, 24–26, 33–36, 38, 41, 48, 52, 71, 78–79, 86, 89–91, 98, 111, 113, 133–134, 141, 168–169, 197–229, 240, 245, 251, 256, 271–272, 282, 309, 318, 329

achievement, 35

comparison with Li Bai, 48–49

comparison with Wang Wei, 112

descriptive pictorialism, 226

discursive elements, 201–202, 213

Gu Yun’s critique of, 78–79, 215

heir to Yu Xin, 113

influence on Ming poets, 169–170

influence on Song poets, 112–120

interartistic poetics, 218

reclusive urge, 49

shen228–229, 219, 226, 226

trompe l’oeil effect, 219–220, 225

zhenzhenzhen225–226, 228–229, 219, 219, 219

Egan, Ronald, 243–244, 255

ekphrasis, x, 261

ekphrastic manipulation, 227

ekphrastic poetry ix–x, xv, 261

difference with “ ‘painting’ in poetry”, 261

Fang Dongshu, 210, 216, 227–228, 269

Zhaomei zhanyan, 210, 269

Fang Xun, 199–200, 202–205, 229

Shanjingju hualun199–200

fenggu, 31, 38, 168

Jianan period and the Wei-Jin period, 31

Fong, Wen, 327

“Four Great Masters” of Yuan poetry, 143–144

“Four Great Masters” of Yuan painting, 144–145, 147, 150, 160, 175

fu, 5–6

“Fu on Lingguang Palace in the Lu Kingdom”, 5

interartistic nature, 6

pictorial tendency, 6

pictorialism in Han fu, 9

Wang Yanshou, 5

Fu Baoshi, 47, 183, 190

Giuseppe Castiglione (Lang Shining), 174

Gu Kaizhi, 8, 10, 27, 83, 148, 201–202, 204, 215, 226, 238, 250

interartistic poetics, 15

Lun hua, 14

yi xing xie shen, 10, 83, 200, 226, 308

Guo Ruoxu, 74

Tuhua jianwen zhi, 74, 94, 99

Guo Xi, 99

Guo Si (son), 99, 132

Linquan gaozhi, 99, 132

Han Gan, 33, 78, 215

Han Yu, 20, 54, 61, 113, 202, 245, 269

descriptive style, 60

Hua ji59–61, 269