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Table of Contents
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Preface |
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Introduction |
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Part I:
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Chapter 1: The Tang Tradition |
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Early Tang: A Debut Slow but Sure |
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High Tang: A Genre Taking Shape |
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Mid- and Late Tang: A Growing Rapport with Painting |
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Chapter 2:The Song Tradition |
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“Voiced Painting” Promoting Painting |
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Poets Expressing Painters’ Self-Expression |
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Poetry Exploring Interartistic Poetics |
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Chapter 3: The Yuan, Ming, and Qing Traditions |
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Yuan: A Component of Painterly Conception |
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Ming: A Voice in Scholarly Discourse |
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Qing: A Bridge for a Holistic Art |
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Part II:
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Chapter 4: The Poetics of Du Fu’s Tihuashi |
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A Painterly Text |
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A Painterly Analogy |
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The Painterly Real |