Academy of Painting

Ming dynasty, 162

Qing dynasty, 173–174

Song dynasty, 95, 97

examinations, 96

huaxue, 96

shiyitu, 96

yuanti, 95

Southern Song dynasty, 160

anticlassicists and individualists (of the Mind dynasty), 177

Bada Shanren (Zhu Da), 167, 174–176, 179–180, 289–290, 315

Bai Juyi, xv, 22–23, 53–64, 71, 90, 113, 247, 250, 287

aesthetic formulations, 60

comparison with Yuan Zhen, 56–57

fengyushi, 54

formal likeness and spiritual likeness, 61

“Introduction to the Xin Yuefu”, 54

Ji hua58–59, 61

“Letter to Yuan Jiu”, 54

Music Bureau, 54

poetic parlance, 63

Xin Yuefu, 54

Barthes, Roland, 227, 262

“readerly text” and “writerly text”, 227, 262

Bush, Susan, 109

Cahill, James, 102, 145

Cao Ba, 25–26, 33, 78, 211–215, 238, 240, 251, 272, 309

chaoyi, 234–236, 262, 273

Chaves, Jonathan, 208–209, 256

Chen Chuanxi, 131, 201

Chen Liangyun, 219

Chinese emperors

Gaozong, 95

Huizong, 94–95, 97

Kangxi, 173

Yuding lidai tihuashi lei, 183

Qianlong, 89

fondness for inscribing paintings, 173–174

Renzong, 143

Shenzong, 167

Taizong, 24

Wenzong, 143

Kuizhangge, 143

Xiaozong, 95

Xuanzong, 24, 34–35, 320, 322

virtuosos of calligraphy and painting, 24

Chinese landscape painting

experience of woyou, 38

horizontal schema, 47

poeticization of literati landscape, 150

protocol of viewing, 71

stimulus of reclusive sentiments, 38

vertical format, 47

zenith of lyricism and expressionism (in the Yuan dynasty), 144