The Lyrical Resonance Between Chinese Poets and Painters: The Tradition and Poetics of Tihuashi
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The Lyrical Resonance Between Chinese Poets and Painters: The Tra ...

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“Six Occasional Poems” (Wang Wei), 49–50

“Song in Response to Prime Minister Yan Zhenqing, Who Watched Xuanzhenzi Painting the Three Islets on Lake Dongting while Drinking Wine and Dancing Pozhenwu Accompanied by Music” (Jiaoran), 64–66

“Song of the Portrait of the North Heavenly Guardian Vaisramana Painted by Lieutenant Governor Zhou Fang” (Jiaoran), 67

“Song of Lighting up the Wall Painting of Landscape With a Candle With My Cousin Shuqin, Military Commander of Jincheng” (Li Bai), 44

“Song of Painting: To General Cao Ba” (Du Fu), 211–213

“Song of Painting Bamboo” (Bai Juyi), 61–62

“Song of Poetry and Painting” (Shao Yong), 122

“Song of the Colored Landscape in the Collection of Lieutenant Prefect Zhao Yan from Dangtu” (Li Bai), 41–43

“Song of the Landscape Screen Recently Painted by Lieutenant Prefect Liu of Fengxian” (Du Fu), 49; 205–207

“Song of ViewingPicture of Landscape Painted by Wang Shigu” (Yun Richu), 303–304

“Song of Viewing Prime Minister Wang Wei’sPicture of Cangzhou” (Jiaoran), 70

“Song of Viewing the Horse Screen at Master Su’s Mansion” (Gu Yun), 78

“Song of Viewing the Scholar Pei’s Screen of Pine Trees and Rocks” (Jiaoran), 67–68

“Song Playfully Written About Wang Zai’s Landscape Painting” (Du Fu), 203–204

“Ten Pieces of Jueju of the Song of Kuizhou: the Eighth” (Du Fu), 26–27

“The Bamboo Washed by the Rain; Composing Poems With Fellow Guests” (Ao Taosun), 136–137

“The Eccentric Mei Begging Chen Shizeng to Paint a Portrait of White Plum Blossoms, Writing Three Eulogies” (Jingan), 287–288

“The Late Director of the Imperial Bureau of Publication, Demoted to Municipal Supervisor of Residential Households in Taizhou, Master Zheng Qian from Xingyang” (Du Fu), 24–25

“The Monk Yujian’s Landscape” (Wu Shidao), 146

“The Recluse Wen Is Good at Painting Egrets; Sending Him [My Poem with] Four Rhymes in Exchange for [His Painting]” (Zheng Gu), 76