The Lyrical Resonance Between Chinese Poets and Painters: The Tradition and Poetics of Tihuashi
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The Lyrical Resonance Between Chinese Poets and Painters: The Tra ...

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“Written About the Trees and Ink Bamboo Painted by Ke Jingzhong” (Du Ben), 324–325

“Writing About the Two Paintings by Yang Buzhi in Magistrate Xu Shengke’s Collection” (Lou Yue), 102

“Written About Wang Jinqing’s Colored Mountain in Wang Dingguo’s Collection” (Su Shi), 126

“Written About Wang Mian’s Plum Blossoms in Black Ink” (Wang Meng), 318

“Written About Watching from the Monk Duan’s Cell in Solitary Hill Monastery” (Lin Bu), 135

“Written About Wen Yuke’s Painting of Bamboo in Chao Buzhi’s Collection” (Su Shi), 249

“Written About Western Painting” [No. 1] (Chen Gongyin), 174–175

“Written About Western Painting” [No. 2] (Chen Gongyin), 312

“Written in Ten Rhymes Upon Viewing Picture of Mt. Minand the Tuo River at the Office of Yan Wu, Duke of Zhengguo” (Du Fu), 36– 37; 209; 219–220

“Written on [My] Painting Presented to Wang Youdu Leaving for the Capital to Take the Imperial Examination” (Dong Qichang), 165–166

“Written on the Album Leaf by Wang Shigu” (Jiang Shiquan), 295

“Zhang Xuan’s Picture of Pounding Silks in the Tang Palace” (Cheng Jufu), 316–317