xiaopin, 157

Xie He, 7–8, 10, 27, 200, 215

Guhuapin lu, 7, 200

liufa, 200

qiyun shengdong, 10

Xu Fuguan, 200–201

Xu Wei, 166, 170, 182, 311–312, 320–322

anticlassicist movement, 167

daxieyi, 166, 322

nonconformism and cynicism, 167

Xuanhe huapu, 71, 89–90, 96–99, 102, 109–110, 123, 128–131

citing tihuashi, 123

special significance to the study of Song tihuashi, 98

Yang Weizhen, 147, 153, 260–261, 315–316

calligraphization of painting, 154

Yangzhou Baguai, 176

Ye Xie, 12

Yuan shi12–13Yuan shi12–13216–219, 211, 211, 229

Yi jing, 8, 51, 91

yongwushi, xi, 2, 10–11, 124

qiaoyi, 7

wu, 124

Yongwushi xuan, 7

Yu Yan, 7, 10

Yu Jianhua, xiii

Yu Xin, 12

Yuan Zhen, 54, 56–57, 64, 68–69, 113

comparison with Bai Juyi, 56–57

Yuan Zhen (continued)

literati aesthetics, 69

yuefushi, 197

Yuding lidai tihuashilei, xii, 183–184

Emperor Kangxi’s preface to, 184–186

Zhang Ji, 22–23, 54

Zhang Dai, 322–323

Zhang Yanyuan, 4, 6–7, 73, 202, 215, 250

Lidai minghua ji, 4, 6–7, 20–21, 23–24, 26–28, 73, 79, 202

Zhang Zao, 33, 69, 80, 313–314

wai shi zao hua and zhong de xin yuan, 69

Zhao Mengfu, 147, 164, 280, 298, 300–302

Elegant Rocks and Sparse Woods, 155

Zhao Yi, 245

yi wen wei shi, 245

Zheng Qian, 21, 24, 33–34

Picture of Cangzhou, 24

sanjue, 24, 34

Zheng Xie (Zheng Banqiao), 167, 176, 179, 182–183, 189, 282–283, 293–294, 297, 312, 324

liufenbanshu, 190

Zhuangzi, 8, 66, 91–92, 109, 145, 252, 307

Zong Baihua, 9

Zong Bing, 8, 10, 27, 38–39, 145, 296

woyou, 38

zuowang, 92, 151, 249, 255