Stevens, Wallace (continued)

and eye, 5, 110–111, 113, 116, 119–120, 124, 131–132, 144

and “First Idea”, 5, 210–211nn40–41, 211n43, 211nn45–47

and Frost, 2, 4–5, 13–14, 22, 26, 109–110, 117, 135, 206

and gap, 2, 4, 28, 110, 114, 134, 137

and gaze, 5, 14, 116, 119, 122, 136, 142

and God, 117, 140

and Harvard, 115

and junipers, 138

and Lowell, 2, 4–5, 14, 22, 26, 117, 180, 193–194

and nature, 2, 4, 13, 110, 113–114, 117–118, 120, 125, 134–135, 137, 139–140, 149

and objet petit a, 133

and pathetic fallacy, 4, 128

and perception, 13, 26, 110–111, 116, 119, 134, 136, 194

poems

“Anecdote of the Jar”, 40, 118, 132

“The Comedian as the Letter C”, 126

“The Creations of Sound”, 110

“Crude Foyer”, 131

“Description Without Place”, 141

“Earthy Anecdote”, 118

“Emperor of Ice Cream”, 140

“Landscape with Boat”, 136

“The Man Whose Pharynx Was Bad”, 114–115, 121, 150

Stevens, Wallace (continued)

“The Motive for Metaphor”, 142, 156

“Mud Master”, 136

“An Ordinary Evening in New England”, 119–121, 128

“The Pediment of Appearance”, 144

“The Poem That Took the Place of a Mountain”, 135

“Sailing After Lunch”, 123, 128, 142

“Sunday Morning”, 139

and “reality and imagination”, 112

and reduction, 116

and rhetoric, 4–5, 14, 23, 26–28, 109–110, 112–118, 125, 127, 135, 137, 139, 150–151, 193–194, 200

and romantic, 4, 114, 117, 123–124, 128–129, 131, 137, 139, 150

and symbolic, 2, 4–5, 13, 110, 114, 117, 122, 128, 139, 149

and transparency, 114

and transparent eyeball, 5, 28, 110–111, 131, 147

and vision, 14, 26, 28, 111, 113, 117–118, 120, 131, 141, 146

and voice, 14, 22, 115, 117

Stuart, Sarah Payne, 212n56

Tanner, Tony, 119

Thompson, Lawrance, 109

Thoreau, Henry David, 12, 26, 75, 81–82, 89

Tillinghast, Richard, 203

tort, 46–47