New England Landscape History in American Poetry:  A Lacanian View
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Frost, Robert (continued)

and gap, 69–72, 74–75, 81, 83, 88, 100, 110, 129, 135

and grave, 86–87, 99, 103–105

and Lowell, 2, 4–5, 14, 22, 26, 117, 149–150, 193

and machine, 93

and meaning, 81, 95–96, 103, 107, 110, 129

and “name-of-the-father”, 96

and nature, 4, 11–12, 20, 69–72, 74–75, 81–83, 85–86, 88, 95, 97–100, 110, 135, 143, 145, 147

North of Boston, 73, 75

and origins, 14, 73, 76, 85, 93, 95–97, 104, 110, 127

poems

“The Birthplace”, 85

“The Black Cottage”, 87

“Build Soil”, 208n19

“Come In”, 91–92, 192

“Desert Spaces”, 192

“Directive”, 85–87

“The Gift Outright”, 85

“The Hill Wife”, 99–101

“Home Burial”, 103

“The Housekeeper”, 99–101

“A Hundred Collars”, 192

“Maple”, 95–96

“Mending Wall”, 13, 70, 72, 74, 76, 79, 83, 90, 101, 208n20

“Mowing”, 78–79

“Of the Stones of the Place”, 82

“Out Out—”, 93, 143

“The Self-Seeker”, 93–94

“A Servant to Servants”, 100–101, 104, 192

Frost, Robert (continued)

“Sound of Trees”, 72, 100

“Stopping by Woods on a Snowy Evening”, 91–92, 114

“The Mountain”, 7, 23, 82–84, 91, 135

“The Pasture”, 80, 94

“Tufts of Flowers”, 79

“The Woodpile”, 88

and property, 5, 76

and romantic, 69, 71, 76, 78, 80, 83, 143

and signification, 74, 92, 145–146, 210n33

and soil, 77

and Stevens, 2, 4–5, 13–14, 22, 26, 109–110, 117, 129, 135, 146–147, 149, 206

and symbolic, 5, 11–12, 70–71, 74–75, 81, 83, 87–88, 95, 110, 143, 171

and trope, 26, 75, 95, 110

and voice, 5, 22, 71–72, 74, 78, 80, 86, 100

and women, 95, 98, 100, 192

and woods, 96, 147

furniture, 151, 175, 182, 184–186, 190–191

Gallop, Jane, 84, 173

gaze, 3, 5, 21–22, 27, 34–35, 38–42, 49–50, 53, 66, 68, 81, 85–86, 91, 116–117, 119, 121–122, 125–126, 133, 136, 140, 142, 144, 146, 153, 156, 180, 187

Gelpi, Albert, 21, 198

geology, 57

Gilmore, Grant, 47