Performance in the Cinema of Hal Hartley
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Performance in the Cinema of Hal Hartley By Steven Rawle

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media representation, 18, 85, 160, 196, 209–210, 228, 230, 233, 236–237, 239–242, 265, 273, 311

Mendel, D. J., 3, 266–267

Merritt, Greg, 21n18

MGM, 59n7, 121, 134, 146n22

Milk(van Sant), 255

mime, 8, 15, 30, 131, 180–181, 306

Minnelli, Vincente, 124, 133, 146n22

Mirren, Helen, 236–237

Monsters, Inc.(Docter), 254

Montgomery, Chuck, 183

Morris, Desmond, 246n36

Mr Smith Goes to Washington(Capra), 92

Mullholland Drive(Lynch), 25

Mulvey, Laura, 105–106n35, 168, 286

music video, 8, 37–38, 109, 265

musicals, 16, 30, 38, 110–117, 119–122, 124–128, 131, 133–137, 146n22, 148n36, 226, 229, 280, 302

Nadja (Almereyda), 57

Narboni, Jean, 28–29, 60n14

Naremore, James, 4, 22n23, 66, 83, 107n41, 143n3, 171, 227

Nash, Cristopher, 242

Neumann, David, 3, 266–267, 276

New Math(s), The, 18, 30–31, 34, 152, 256, 259–260, 265–271, 285, 296n50, 303, 305

new media, 252, 254, 256–258, 263–265, 273

New YorkMagazine, 255

Nietzsche, Friedrich, 62n49

Night of the Hunter, The(Laughton), 221

Nikaido, Miho, 3, 50, 200, 257, 261, 266, 303–304

No Such Thing, 1, 3, 8–9, 17–18, 25–26, 59n5, 59n7, 59n8, 61n24, 81, 85, 195, 228, 229–242, 248n46, 248n55, 249–251, 254–256, 259, 265, 285, 291, 293n8, 310

Ōmu Shinrikyō, 248n59

Opposite of Sex, The (Roos), 57

Orton, Beth, 37–38, 265

Otherness, 67, 70, 205–206, 231–232, 235, 239–240, 242, 247–248n46, 272–273. See alsodifference

Ozu, Yasujiro, 197, 285

pain, 32, 166–167, 169–182, 185–186, 189n12, 190n14, 230, 234, 310

Passion(Godard), 44

PBS, 114

Pearson, Roberta E., 97, 108n42

Penn, Arthur, 192n27

performance discipline, 151, 158–159, 210, 303

Pierson, John, 21n18

Pixar, 254

Polley, Sarah, 59n6, 230, 234, 238

pornography, 17, 87, 161–162, 166, 168, 172–174, 177, 220, 240–241, 288

Posey, Parker, 3, 104n19, 178, 289–291, 298n71

Possible Films, 12, 18, 250–253, 256, 291, 293n8

Possible Films: Short Works by Hal Hartley 1994–2004, 253, 294n20