Chapter 1: | The Making of Nathan Zuckerman |
In the meantime, with or without Tarnopol presiding over the text, the reader is ushered into the storyworld by the presentation of the familial world surrounding a yet only partially named new character:
This incipit goes a long way in creating what Perry calls “a perceptual set” (50) in the reader’s mind. It establishes the idea of a precise familial setup which will be perfected in the two pages that follow: a formidable father, Mr. Z., a devoted mother who tends to praise her children excessively, and two sons, the younger of which—Natie—needs to read Dale Carnegie to temper his arrogance lest it ruin his (social) future. But “first, foremost” the reader is told about Natie’s deeply entrenched perception of living in a protecting and adoring environment:
The confidence of the volcanic father, who looks very much like Lou Levov, takes the Zuckermans past the bankrupt years to the boom years when “a brand new ‘Mr.Z.’ shoe store [opens] out at the two-million-dollar Country Club Hills Shopping Mall” (387). By then, Nathan is entering high school with a past characterized by “anything but perfect contentment.” Nathan emerges in these first pages against the backdrop of an exceptionally sustaining Jewish family, which might be the