continuous character frame, 30, 58, 69–70, 232

Cooper, Alan, 2, 3

counternarrative, 137, 146

Corradi Fiumara, Gemma, 41

Counterlife (The), 4, 12, 23, 29, 33, 55, 69, 73, 79, 89, 95, 97–119, 126–130, 133, 136, 138–142, 145, 148, 151, 154, 159, 161, 164, 167, 196, 211, 227–228, 234–236

assimilation in, 115, 117

Draft#2, 101–104, 107, 131, 210, 225

“Gloucestershire” chapter, 14, 72, 98, 100, 103–110, 137, 210, 218

Zuckerman’s notebooks in, 100–103

Davidson, Sara, 40

Deception, 33, 110, 127, 140, 218

Zuckerman in, 102, 136, 211, 218n166

Deleuze, Gilles, 64–65

distancing effects, 20, 24, 35, 67, 89, 126

Docherty, Thomas, 53

Doleel, Ludomír, 7

Eakin, Paul, 125, 135

epigraphs, 128, 145

Exit Ghost, 2, 5, 12, 15, 33, 69, 92, 127, 209n162, 213–230, 235–237

inconsistencies in, 227

experiencing-I, 49, 166, 197

Facts (The), 2, 9, 21–22, 24, 30, 36, 80–81, 84, 95, 109–110, 117, 119–138, 140–143, 227, 234

facts and fictions, 49–50, 102–103n62, 109, 126, 186, 192, 209

See also the raw; the unwritten world; boundaries blurring; life and art; fictional representation

fictional representation, 14, 125

fictionalization, 2, 9, 12

Finkielkraut, Alan, 37

first-person narration, 24, 67

See also third-person narrative; pronominal shifts

first-time reader, 12, 24, 52–53

Fludernik, Monika, 7, 28n21, 151

focalization, 26, 28n2167, 67n42, 85, 88, 98, n122

Foucault, Michel, 47

Fowlie, Wallace, 126

frame, 11, 13, 30, 34, 53, 56, 58, 61, 64, 120

continuous character, 7, 30, 58, 69, 232

initial, 7–9, 14, 27, 33, 53–56

primacy, 70

recency, 61, 70

Franco, Dean, 203–204

Frank, Anne, 45, 47, 49, 216

Galimberti, Umberto, 83–84n49, 90

gaps, 6, 8, 10, 62, 69, 71, 74, 143, 227

See also inconsistencies; non-sequitur

Zuckerman’s gap filling, 89, 134, 148n91, 187

Gates, Henry Louis, 204n157

Genette, Gérard, 67n42, 127–128, 240

Gerrig, Richard, 233