feelings, xiv, 3–4, 14, 16, 25, 30, 56, 233

gestures, 2–3, 5, 10–11, 18, 30–31, 34, 37, 39–40, 51, 56, 135, 245, 249

Graham, Martha, 2

Hyde, Derek E., v, 54

integrated systems, 13, 244

integration, 2, 13, 31, 55

interpersonal, xiii, 6, 20, 22, 31, 62–63, 65, 246, 251

intersubjectivity, xiv, 2, 14–15, 243, 252

intuitive, 4, 17–20, 30, 39, 47, 50, 54, 56, 244, 251

Kabuki, 25, 27, 29, 41

kata, 25, 30–31, 249

Kathakali, 27–28

kinaesthetic, 3, 5, 39–40

Laban, Rudolph, 2

language(s), xiii, 11, 13–15, 28, 33–34, 39, 51, 90, 244–245

Lawrence, D.H., 45, 197, 200

leadership, 90, 216, 240–241, 253

masterclass(es), 30, 70–71, 74

mastery, 41–42

methodology, xv, 8, 29, 31, 41, 46, 62, 68, 90, 235–236, 247, 275

methods, 5, 7, 27, 41, 55–56, 63–64, 84, 167, 244, 246, 249, 251

Meyerhold, 52, 58, 253

mimicry, 13, 36

mirror neurons, 5, 22–23, 26, 33, 56, 244

modelling, xiv–xv, 5, 7, 11, 27–28, 30–31, 41, 46–49, 54, 56, 62–65, 69, 84, 113, 180–182, 194, 249

model(s), 19, 26–27, 30, 33–34, 40, 48, 56, 64, 66, 77, 239, 252

motors of play, 51, 56

movement, xiii, 2–3, 10–12, 16–17, 22–23, 29, 31, 36–37, 55–56, 244

neuroscience, 3, 13

Noh, 27

nonverbal, 3, 12

observational learning, 15

Olivier, Lawrence, 37

opera(s), xiii–xiv, xvii, 1, 6–7, 10, 15, 30, 33, 70, 74, 79, 89–91, 113, 117, 171, 173, 176, 178, 184, 189, 193–194, 201, 215–216, 219, 223, 225, 229, 231, 235–237, 241, 243–245, 248, 250, 253

perception(s), 3, 12, 19, 36, 55–56, 171, 219, 244, 251, 267

performance flow, 31, 55

performing arts, 5, 7, 27

Pountney, David, 30–31, 74

premotor cortex, 22, 56

protocol(s), xiv, 8, 67–68, 70–71, 78, 80–82, 86, 103, 197–198, 202, 236

RADA, 17, 44–46, 48

rehearsal processes, 5, 72–73, 78, 91, 134, 233–234, 240, 246

Pople, Ross, 27