Chapter 1: | Mise-en-Scène |
have been featured in the Whitehead play this Philadelphia season in 1767. John Durang, who confessed that his “greatest frailty was in dress”(24), would bring that indulgence to his theater costumes, which he would don a good eighteen years later.
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The Philadelphia in which Jacob and Joeann Catharine Durang arrived was then a leading New World metropolis. A contemporary enthused about the City of Brotherly Love:
The recent building of the Southwark Theatre was one example of the developing cultural institutions, social forces, and physical design in this “second city of the British Empire.”15 The city plan had been designed by Thomas Holme for William Penn in 1682, following Renaissance ideals of symmetry, spaciousness, and reason. Holme’s plan laid out the city in a rectangle from the Delaware to the Schuylkill Rivers, and from Cedar to Vine Streets, with a central square and four surrounding squares equidistantly marking the city’s quadrants. By the 1760s, the city’s port and commercial activities had overwhelmed the westward balance of Holme’s layout. Jacob Duché, a visitor to the city in 1771, wrote: