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Chapter 5: Making Private Scenes Public: Conrad’s “The Return” and Chéreau’s Gabrielle
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Chapter 6: Totally Clueless: Heckerling and Queer Sexuality in Austen’s Emma
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Chapter 7: From Victorian to Postmodern Negation: Enlightenment Culture in Thackeray’s and Kubrick’s Barry Lyndon
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Chapter 8: Intertextuality in Simon Raven’s The Pallisers and Other Trollope Films
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Part III Translating the Victorians:
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Chapter 9: Teaching Stoker’s Dracula with Multiple Film Versions: Nosferatu, Dracula, and Pages from a Virgin’s Diary
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Chapter 10: Transposing Sherlock Holmes across Time, Space, and Genre
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