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Excerpts from The Collected Essays, Journalism and Letters of George Orwell, Volume 2: My Country Right or Left, 1940–1943, copyright 1968 by Sonia Brownell Orwell and renewed 1996 by Mark Hamilton, are used by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.
Excerpts from The Collected Essays, Journalism and Letters of George Orwell, Volume 3: As I Please, 1943–1945, copyright 1968 by Sonia Brownell Orwell and renewed 1996 by Mark Hamilton, are used by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.
Excerpts from The Collected Essays, Journalism and Letters of George Orwell, Volume 4: In Front of Your Nose, 1945–1950, copyright 1968 by Sonia Brownell Orwell and renewed 1996 by Mark Hamilton, are used by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.
Excerpts from “The Lion and the Unicorn,” “The English People” and “My Country Right or Left” are from Essays by George Orwell, copyright 1945, 1952, 1953, 1968 by the estate of Sonia Brownell Orwell, and are reproduced by permission of Penguin Books Ltd. All rights reserved.
Excerpts from Ghastly Good Taste and The English Town in the Last 100 Years, copyright by John Betjeman, are reproduced by permission of the estate of John Betjeman.
Excerpts from “Slough,” “Before Invasion 1940,” “Margate 1940,” “In Westminster Abbey,” and “The Planster’s Vision” are taken from John Betjeman, Collected Poems, copyright 1955, 1958, 1960, 1962, 1964, 1966, 1968, 1970, 1979, 1981, 1982, 2001 by the estate of John Betjeman, and reproduced by permission of John Murray (Publishers) Limited.
Excerpts from “Swindon,” “Back to the Railway Carriage,” “Some Comments in Wartime,” and “Coming Home, or England Revisited” are taken from John Betjeman (ed. Stephen Games), Trains and Buttered