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She has also published in the edited collections Literature and Translation: Creation, Circulation, Reception; Feminism at the Movies: Understanding Gender in Contemporary Cinema, Interpreting Homes in South Asian Literature; Third Wave Feminism: A Critical Exploration; and “Is Canada Postcolonial?”: Unsettling Canadian Literature. She covers the Indian subcontinental and Sri Lankan region in The Year’s Work in English Studies and undertakes regular review work for magazines such as Herizons, Wasafiri, and Biblio.
Helen Davies is Lecturer in English Studies at the University of Teesside. She is the author of Gender and Ventriloquism in Victorian and Neo-Victorian Fiction: Passionate Puppets (Palgrave Macmillan). Her other publications include journal articles on Sarah Waters, Oscar Wilde, and Will Self and several book chapters on Oscar Wilde and queer theory. She is on the executive committee of the Contemporary Women’s Writing Association. She is currently writing a book about representations of Victorian “freak” show performers in contemporary literature and culture.
Alistair Fox holds a personal chair in the Department of English and is Director of the Centre for Research on National Identity at the University of Otago. He has written extensively on humanism, politics, and reform in early modern England and more recently has investigated contemporary New Zealand culture, the nature of film authorship, gendered and sexual identity, and the nature and function of fictive representation. His most recent books include The Ship of Dreams: Masculinity in Contemporary New Zealand Fiction (University of Otago Press), Jane Campion: Authorship and Personal Cinema (Indiana University Press), New Zealand Cinema: Interpreting the Past (Intellect/University of Chicago Press), and an English translation from the French of Anne Gillain’s François Truffaut: le secret perdu as François Truffaut: The Lost Secret (Indiana University press), which explores the relationship between autobiography and the authorial fantasmatic.