The Films of Ousmane Sembène: Discourse, Politics, and Culture
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Figure 11. Madior comes face to face with the king

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Figure 12. Sembène himself acts as a Ceddo.

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Figure 13. Aloïse (standing) points at the imam in protest against Baye Ali’s statement that his father, Guelwaar, is better off left in the Muslim cemetery

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Figure 14. From left to right are Dibocor, the imam with the white scarf, and Ismaïla behind him. Facing the imam is Goor Mag, and the pastor is to the front right corner with a headband on

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Figure 15. Goor Mag, the imam, and Dibocor are inside the circle

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Figure 16. Yamar shows Baye Ali his elbow

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Figure 17. A middle-aged Muslim man receiving directions as to where he can pray is distracted by the cross hanging around the pump attendant’s neck

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Figure 18. The pump attendant’s pendant catches the attention of the Muslim man

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Figure 19. Faat Kiné’s car is pictured as she stops at a roundabout to let water-carrying women cross in front of her

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Figure 20. Borom Sarret’s wife heads out of the house, leaving baby in the hands of her husband

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Figure 21. Diouana stares at the mask like her own mirror image.

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