, 196, 215

in “Regret for the Past”, 168–169

in “Soap”, 188, 192, 194, 216, 218

in “The Misanthrope”, 164–165

in “The New Year’s Sacrifice”, 110, 137, 139, 145

in “The True Story of Ah Q”, 89, 91–93, 97–99, 104–105, 108–109, 136, 215

in “The White Light”, 214

in “Tomorrow”, 155

in Wild Grass, 201

Escape from Freedom, 144, 174

etiology, 17–18, 57, 98, 205–206, 211–212, 220, 229

See also therapeutic model

European literature, 175

See also under doubles and doubling: European literature

Fakundiny, Lydia, 76

Faust, 236

feng and kuang, 29, 78, 209–210, 214, 225, 243

Feng, Jin, 29, 78, 167, 171, 177–178, 209–210, 214, 225, 243

“Fight with the Shadow”. See under Jung, Carl, individual works

first and second order change

in Lu Xun generally, 77, 143

in “Medicine”, 152–153

in “Preface”, 51, 53–54, 72

in “The Misanthrope”, 161, 166

in “The New Year’s Sacrifice”, 142

in “The Story of Hair”, 158

in Watzlawick, Weakland, and Fisch, 50, 77, 203

Foster, Paul B., 127, 130

Freud, Sigmund, 143

comparison with Jung, 59–62, 64, 79–80, 148–149, 231–232

in China, 61, 78–79, 225

psychology in general, 75, 79

psychology and art in, 199, 230–232, 235

theories of conscious and unconscious, 61–62, 64, 149, 175–176

theories of dreams, 80, 199–200

Freudian influence, 79, 225

on Lu Xun’s stories, 59–61, 78, 190, 192, 232, 242

“Freudian slip”, 67

Fromm, Erich, 144–145, 174

Gang of Four, 129

German romantics, 148

Girard, René, 23

comparison with Oedipus Rex, 102–104, 106–107, 112, 118, 125, 128

crucifixion, views of, 127

Eurocentrism in, 131

general theory of scapegoating, 100–104, 106–107, 111, 113–114, 117, 119, 124, 129

stereotypes of scapegoating, 132

strategies for containing violence, 100–101, 115

Scapegoat, The, 93, 131–132, 134

Violence and the Sacred, 93, 96, 131–133

violence as contagion, 97, 100

Goethe, Johann Wolfgang von, 236

Gogol, Nikolai, 60, 175

“Good Hell That Was Lost, The”, 202

Gospels, 111–112, 120, 125–127, 134, 198, 220