“Role of the Unconscious, The”, 226, 243

“Transcendent Function, The”, 67, 80

Kaldis, Nicholas, 75–76, 134, 225, 242

Keppler Carl, 78, 146–149, 160, 169, 175, 214

Kirwin, Michael, 134

“know feelingly”, 231, 233–234, 241

Korchin, Sheldon J., 81

“Kong Yiji”. See under Lu Xun, modern short stories

kuang and feng. See feng and kuang

Kubin, Wolfgang, 177

Kuriyagawa Hakuson, 59, 78, 175, 199, 225

Lacan, Jacques, 208

“Lamp That Was Kept Alight, The”. See under Lu Xun, modern short stories

Larson, Wendy, 16–17, 29, 78, 225, 347

League of Left Wing Writers, 11

Lee, Leo Oufan, 13, 19, 27, 29, 45, 75, 77, 130–132, 151, 176, 225, 227, 242–243

Li Yanjun, 78

Liang Qichao, 76

“Ligeia”, 148

Lin Yü-sheng, 175

Linné, Tara-Marie, 81

Literature of the Second Self, The, 78, 145, 175–176

Liu Baijun, 177

Liu, Lydia, 121, 130, 134, 151, 167, 169, 174, 176, 178

Liu Yanrong, 242

Lovell, Julia, xv, 75, 227

Lu Xun (Zhou Shuren)

general assessments of, xi–xiii, 1–2, 4–5, 7, 9, 11–12, 15, 21

biography, 4–7, 9–11, 35–36, 40–41, 44–45, 48, 52, 177, 224

comparison with Carl Jung, 23, 59, 61–62, 87

comparison with Carl Jung’s views of art and psychology, 229–230, 237

comparison with Sigmund Freud, 59–61, 232

comparison with Hu Shi, 14

comparison with Nietzsche, 61–63, 79, 134, 175

critical approaches to, 12–25, 27–29, 75–77, 90, 142, 166, 174, 242

dreams in, 13, 171, 199, 201–202, 230

ego and shadow, general, in, 62, 64, 73, 87, 89, 120, 122–123, 136, 140–141, 152, 160, 168, 184, 194, 196, 198–199, 205, 208, 211–212, 214–216, 234–235, 239, 249

See also under therapeutic model: Lu Xun’s summary

historical context of, 2–10, 41, 85

international influences on, 14, 20, 28, 62

judgments on scholarship of, 7, 26

psychology and art in, 231, 234–235, 237–241

Lu Xun, essays

“How I Came to Write Short Stories”, 60, 224, 242