comparison with “Regret for the Past”, 186, 191

comparison with “The True Story of Ah Q”, 189–190, 192

ego and shadow in, 188, 192

Freudian influence in, 59, 190, 192

healing in, 56, 179, 182, 185, 192–193, 198, 216, 219, 239

iron house in, 194

re-reading Confucian performative text in, 186

scapegoating, 189

shadow projection, 189–191

women’s roles, 188–192

Sophocles, 102–103, 118, 128

splitting the psyche, 98

definition of splitting, 24, 93, 149

in “The True Story of Ah Q”, 87, 99, 108, 110, 149, 152, 192

in “The White Light”, 159

in trauma, 231

“spirit”, definition, 16–17

Stone, Albert E., 76

“Storm in a Teacup”. See under Lu Xun, modern short stories

storyteller in pre-modern Chinese literature, 90, 131, 156–157

“Story of Hair, The”. See under Lu Xun, modern short stories

Stevenson, Robert Louis, 60, 148, 175

Strickmann, Michel, 200, 226

Sun Lung-kee, 78

Sun Yat-sen, 10, 26

Symbols of Agony, 59–60, 175, 199, 222

Taiping Rebellion, 2

Tang, Xiaobing, 27–28, 176, 182, 209–211, 224, 226–227

teleology, 61, 68, 76, 145, 150, 153, 208, 249

therapeutic model of change or cure. See also Jung, Carl, theories of the psyche

Lu Xun’s model, overview, 17–20, 22, 57, 63, 73, 179, 211, 220, 229

Lu Xun’s model, summary, 212–220

Watzlawick, Weakland, and Fisch’s model of, 211, 216, 220

Thus Spoke Zarathustra, 61–62, 236

Tokyo, 6, 32, 40–41, 48

“Tomorrow”. See under Lu Xun, modern short stories

Tovald, 166, 171, 186

“Transcendent Function, The”. See under Jung, Carl, individual works

trauma, 230–233

Trauma and Mastery in Life and Art, 33, 76, 165, 230–235, 242

Treaty of Versailles, 8, 222

“Tremors of Degradation”, 202

“True Story of Ah Q, The”

archetypal patterns in, 87, 128

boundless desert imagery in, 125

Chinese national character in, 6, 83–85, 89, 93, 95, 98, 100, 116, 121, 127, 130, 132, 136, 144, 189

comparison with “Medicine”, 152

comparison with “Soap”, 189–190, 192

defeat into victory, 24, 85