, 186, 191

critical commentary on, 167, 170–171, 191

doubles in, 168–169, 171

ego and shadow in, 168–169

hanged-woman vignette in, 46–47, 168–169

iron house in, 171

“new woman” in, 166–169

“Relations Between the Ego and the Unconscious, The”. See under Jung, Carl, individual works

“Revenge II”, 125

“Role of the Unconscious, The”. See under Jung, Carl, individual works

Rogers, Ralph, 175

Rose, Gilbert, 33, 76, 165, 230–235, 242

Russo-Japanese War, 6, 31

sadomasochism, 126, 143–144, 153, 158–159, 163, 165, 170, 183, 198, 207, 209, 212, 215, 220

Scapegoat, The, 93, 131–132, 134

scapegoating

aftermath of, 118–119

crimes that eliminate difference in, 106

definition of, 93–94, 102

expulsion of the shadow, 112–117

in “Master Gao”, 163

in “Soap”, 189

in “Storm in a Teacup”, 157

loss of social distinctions that precede, 103–104

mark of the victim in, 111–112

social determinants of, 100–102

society prior to, 102

scapegoating compared to martyrdom, 24, 86, 122–125, 127

Schopenhauer, Arthur, 60, 78

second-order change. See first and second order change

second self in doubles. See under doubles and doubling

shadow projection

Jung’s definition of, 67

in “Soap”, 189–191

in “Storm in a Teacup”, 156

in “The True Story of Ah Q”, 95–96, 98–100, 106, 108, 114–116

Lu Xun’s exploration of, 120, 172, 190

Neuman’s definition of, 93–95, 99, 117–119, 125, 248

Shao, Dongfang, 76

Shaoxing, 5, 27, 36, 41, 45, 47–48, 52, 55, 169, 172, 212

Sino-Japanese War, 6

slide show, 135, 212, 233

in “A Public Example”, 163

in “Kong Yiji”, 42, 155

in “Preface”, 23, 35–40, 42–44, 47, 52–55, 57, 72, 75, 77, 163

in “The New Year’s Sacrifice”, 142–143

in “The True Story of Ah Q”, 122

Shakespeare, William, 175

“Small Incident, A”, See under Lu Xun, modern short stories

“Soap”

comparison with “A Madman’s Diary”, 186