“Divorce”. See under Lu Xun, modern short stories

Doll’s House, A, 166

“Dog’s Retort, A”, 201

“Dr. Jekyll and Mr. Hyde”, 60, 148, 175

Dostoyevsky, Fyodor, 60, 148, 175, 232, 235

“Double Fifth Festival, The”. See under Lu Xun, modern short stories

doubles and doubling, 192

definition of, 24, 60, 145–151

first self in, 146–147, 163, 168, 205, 212, 214

Freudian approaches to, 149, 176

in “A Madman’s Diary”, 205–206

in “Brothers”, 198

in “Dr. Jekyll and Mr. Hyde”, 60, 148, 175

in European literature, 60, 78–79, 148–150, 175–176

in “In the Tavern”, 160–162

in “Medicine”, 152–153

in “My Old Home”, 183

in “On Photography”, 172

in “Regret for the Past”, 168

in “The Misanthrope”, 163–164

in “The New Year’s Sacrifice”, 146–147, 150, 175

Jungian approaches to, 149

second self in, 146–147, 212, 214

double consciousness, 249, 251

dreams

in “A Madman’s Diary”, 207

in “Brothers”, 197–199, 218

in Chinese culture, 200, 225–226

in "Dead Fire", 200–201

in Freud, 79–80, 199–200

in Lu Xun, 13, 171, 199, 201–202, 230

in Jung, 68, 79–80, 181, 199–200, 226, 233, 236, 240, 245

in “Preface” to Call to Arms, 13, 199, 230, 233

in “The True Story of Ah Q”, 116–117, 202

in Watzlawick, Weakland, and Fisch, 50

in Wild Grass, 73, 200–202

DuBois, W. E. B., 248–249, 251

Ellenberger, Henri, 60, 62, 78–79, 175

Enlightenment, 148, 151

ego and shadow, 176

in “A Madman’s Diary”, 205, 211

See also conscious and unconscious under “Madman’s Diary, A”

in “A Small Incident”, 195–196, 216, 218

in “Brothers”, 198, 211, 216, 218

in “Dead Fire”, 201

in “In the Tavern”, 160–161

in Jung, 62–66, 80, 87, 109, 135–136, 181, 229

in “Kong Yiji”, 110, 154–155, 215

in Lu Xun generally, 62, 64, 73, 87, 89, 120, 122–123, 136, 140–141, 152, 160, 168, 184, 194, 196, 198–199, 205, 208, 211–212, 214–216, 234–235, 239, 249

in “Medicine”, 136, 152

in “My Old Home”, 110, 183–184, 210, 216, 218

in Neumann, 93–94, 117

in “Preface”, 72–73, 122–123