in “My Old Home”, 182–183

in “Preface”, 39, 41, 45–49, 52, 54–57, 72

in “Regret for the Past”, 169, 171

in “Storm in a Teacup”, 156

in “The Double Fifth Festival”, 159

in “The Story of Hair”, 157

in “The True Story of Ah Q”, 86, 88, 120, 122

in “Tomorrow”, 155

in Wild Grass, 199–202

Peking Women’s Normal College, 166

persona, according to Jung, 177

Picture of Dorian Gray, The, 149

Pontius Pilate, 134

“Postscript to ‘The Grave’.” See under Lu Xun, essays

“Preface” to Call to Arms

as autobiography, 32–55, 75

boundless desert in, 40–44, 47, 52–55, 71

dreams in, 13, 199, 230, 233

ego and shadow in, 72–73, 122, 196, 215

first and second order change in, 51, 53–54, 72

hanged woman in, 40, 44–49, 53–54, 71–72, 169

iron house in, 27, 29, 40, 48–55, 71–72, 75, 77, 122, 130–132, 135, 137, 139, 141–143, 145, 150, 152, 165, 170–171, 174, 176, 194, 201–202, 204, 207–210, 212, 225, 227, 241

paradigm in, 22, 38–41, 43, 46–48, 51–55

slide show scene in, 22–23, 32–40, 42–44, 47, 52–55, 57, 77, 163

Poe, Edgar Allan, 60, 148

“Preface to the Russian Translation of ‘The True Story of Ah Q’.” See under Lu Xun, essays

pre-modern Chinese literature, 7, 45, 89–90, 130–131, 156–157, 188

Private Memoirs and Confessions of a Justified Sinner, The, 148

projection of the shadow. See under shadow projection

psychology and art. See under art and psychology

“Psychology and Literature”. See under Jung, Carl, individual works

Průšek, Jaroslav, 13, 26–27, 30

“Public Example, A”. See under Lu Xun, modern short stories

Qian Xuantong, 48

Qing dynasty, 7, 41, 85, 123, 130, 136, 188

Qiu Jin, 134

queue, 106–107, 109, 118, 130, 156–158

“Rabbits and the Cat, The”, See under Lu Xun, modern short stories

Rank, Otto, 110, 175–176

reader-response criticism, 25, 29

realism, 15, 151, 176

“Regret for the Past”

comparison with “A Madman’s Diary”, 76, 171

comparison with “The New Year’s Sacrifice”, 169

comparison with “Soap”, 169