, 87–92, 99, 108, 110, 128, 132, 184, 214, 247

dreams in, 116–117, 202

ego and shadow in, 89, 91–93, 97–99, 104–105, 108–109, 136, 152, 215

influence of pre-modern Chinese literature on, 89–90, 121–122

iron house in, 122

narrator in, 83, 89, 120–121

paradigm in, 88–89, 120, 122

prophesy in, 86–87, 118, 129, 152, 239–240

revolution and revolutionaries in, 1, 7, 11, 15, 24, 28, 58, 77, 85, 87–89, 97, 101, 103–111, 115, 118–119, 124, 129, 132, 136, 143, 152, 202, 208, 214–215, 221–222, 238

scapegoating and martyrdom compared, 24, 86, 122–125, 127

scapegoating in, 93, 102–107, 112–117, 119

shadow projection in, 95–100, 106, 108, 114–116, 176

splitting the psyche in, 87, 99, 108, 110, 149, 152, 192

typicality of Ah Q, 88–90, 130, 132

truth of, 83–84, 86

Tsu, Jing, 29, 77–78, 130, 225, 347

Tu, Weiming, 58, 78, 159

Tymms, Ralph, 175

Übermensch, 61–62

unconscious in European thought. See also under Jung, Carl, theories of the psyche: of the unconscious

"Discovery of the Unconscious, The", 60, 78–79, 175

in European thought, 59–61, 78, 148

Verne, Jules, 6

“Village Opera”. See under Lu Xun, modern short stories

Violence and the Sacred, 93, 96, 131–133

Wandering, xiii, 11, 23, 55–56, 135, 171, 202, 225, 229

Wang Hui, 27, 133

Wang, Ning, 78, 225

Watson, Burton, 78

Watzlawick, Weakland, and Fisch, 50, 211, 216, 220–221

Western learning, 4, 35–36, 47, 53

"What Happens After Nora Leaves Home?". See under Lu Xun, essays

“What Is Required of Us Fathers Today?”. See under Lu Xun, essays

“White Light, The”, See under Lu Xun, modern short stories

Wild Grass, 38

dreams in, 73, 199–202

ego and shadow in, 201

iron house in, 201–202

Kaldis’ study of, 75–76, 134, 225, 242

Wilde, Oscar, 149

“William Wilson”, 148

World War I, 179, 222

World War II, 10, 26, 150, 176, 222

“working through”, 22, 71, 73–74