juxtaposition, 2, 15, 25, 45, 72, 149, 154, 257, 260, 262, 276, 285–287 |
K
L
Lake Dongting, 211 |
land acquisition, 205 |
landmarks |
local landmarks, 7, 11, 23, 54, 57, 108, 130, 158, 161, 183, 195, 198, 200, 214, 225, 231–232 |
new landmarks, 7, 11, 13, 23–24, 43, 130, 195, 198, 214, 219, 225–226, 228, 246, 312 |
landscape |
Chinese landscape art, 243–244 |
and home, 23–24, 197–198, 202, 213–215, 218–221, 223–224, 231–232, 235, 243, 245–246, 312–313 |
landscape artist, 244 |
landscape essays, 6, 9, 11, 17, 21, 23–24, 37–38, 55, 62, 98, 106, 108, 125–126, 195–197, 199–200, 203, 209, 225, 235–237, 239, 243–249, 252–253, 307–309, 312–315 |
landscape writing, 10, 23, 101, 106, 160, 198, 202, 208, 219, 224, 308, 313 |
natural landscape, 7, 9–10, 13, 28, 37, 55, 81–82, 86, 105–106, 185, 195–196, 198–200, 215, 218, 223–224, 231, 236, 239, 242–245, 248 |
Late Tang period, 50 |
legend, 33–34, 37, 55–57, 59, 69, 99, 116, 130–131, 136, 138–139, 141, 143, 149, 155, 157–158, 160–163, 168, 191, 210, 256, 268, 275, 295 |
“Viewing the Painting of Mountains and Seas in the Chamber of the Chan Master Ying”, 110 |
“Wailing for My Dear Chao Heng”, 210 |
Li Daoyuan, 38 |
“Essay on Supplications”, 173 |
Li Fengji, 261 |
Li Gai, 85 |