Lijialou. See Xinzheng Lijialou under Henan |
Lin, Meicun, 25–27 |
Liujiadianzi M1, 156 |
lost-wax, 1–2, 4–6, 10, 13–14, 20–21, 23, 26–28, 30, 32, 41–45, 47, 49–53, 55–57, 63–66, 70, 72–83, 85, 88, 91–93, 95, 99, 101–102, 104–112, 114–122, 125–129, 133, 136–138, 140, 142–144, 147–152, 154, 156–162, 164, 166–167, 169–176, 181–184, 186, 188–189, 198, 302, 375–376 |
direct, 8–9, 11, 17, 24, 29, 38–39, 58, 113, 131, 153, 155, 168, 380–381 |
disadvantages, 8 |
indirect, 9, 11–12, 15–17, 31, 67, 84, 86, 96, 153, 168, 177, 179, 382–383 |
lost-wax and lost-textile casting, 178–180 |
primary benefit, 8 |
simplest forms, 7 |
stepped strategy, 34 |
three main hypotheses, 3 |
variety of methods, 9 |
loukong openwork. See under openwork |
Loveday, Helen, 63, 71, 75, 77, 79, 89, 91, 93–95, 133, 141, 170–171, 183–184, 187, 249 |
M
giant hu in tomb, 120 |
Mesopotamia, 14 |
Metropolitan Museum of Art, 99, 178, 204, 206, 244–248, 278–279, 282, 285–288, 334, 380–385 |
Middle Western Zhou you, 131 |
Minusinsk Basin, 152 |
mirror |
double-tier mirrors, 79 |
purple clay (zisha), 81 |