See also loukong openwork and toukong openwork under openwork |
molds |
bivalve (two-piece), 5–6, 19, 32, 50, 53, 56–57, 103, 122, 130, 148, 152, 155, 180, 382–383 |
clay, 5–6, 8, 19, 21–23, 28–29, 38, 80–84, 86, 105, 113, 145–146, 149–150, 159, 163, 172, 178–179, 183, 198, 204, 212 |
closed molds, 5 |
“mother” mold, 179–180 |
section-mold, 1, 4, 6–9, 16–21, 23, 28–33, 35, 42–45, 50–51, 53–54, 56–58, 60–61, 64, 66–69, 71, 73–74, 78, 80–85, 90, 92, 102–105, 107–110, 115–120, 133, 146, 150, 153, 155, 163–164, 168, 171–173, 175–177, 180, 182–185, 303 |
molten, 5–6, 8, 29–31, 34, 43, 52, 54, 70, 90, 96, 114, 126, 144, 173, 179, 186 |
central Mongolia, 152 |
Western Mongolia, 378 |
Mortuary Phase, 149 |
Museum für Völkerkunde, 18 |
N
Namba Junko (Uchida Junko), 85 |
Ningxiang. See under Hunan |
nitiao panzhu. See clay-strip building technique under clay |
Non Nok Tha, 149 |
northern artifacts, 152–153 |
O
Odagi Harutaro, 179–180 |
openwork |
high-relief openwork, 73 |
openwork interlace, 72–73, 76, 78–80, 129–130, 132, 134–136, 140, 142, 152, 167, 170–172 |
three-dimensional interlace, 131, 133–134, 136–137, 142, 183, 265, 274–277 |
toukong openwork, 83 |
origin of metalworking in China, 13 |
ornamental elements, 51, 53–55, 57, 72, 100–101, 106, 234, 236–238, 300–301 |
P
Palace Museum (Beijing), 185 |
Palace Museum (Taipei), 172 |