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About the Contributors
Siao-chen Hu is a Research Fellow and Director of the Institute of Chinese Literature and Philosophy, Academia Sinica. She is the author (in Chinese) of Burning the Midnight Oil: The Rise of Female Narrative in Early Modern China (2003), New Ideals, Old Styles and an Inconceivable Society––The Transformation of “Traditional” Literati and Women Writers in Late Qing and Early Republican Shanghai (2011), and The Southwest in Ming-Qing literary Imagination (2017).
Shih-shan Susan Huang is Associate Professor of Chinese Art at Rice University. She is the author of Picturing the True Form: Daoist Visual Culture in Traditional China (Harvard Harvard East Asian Monographs, 2012) and the coeditor of Visual and Material Cultures in Middle Period China (Brill, 2017).
Joan Judge is a Professor in the Department of History at York University in Toronto. Her most recent books include Republican Lens: Gender, Visuality, and Experience in the Early Chinese Periodical Press (2015), and Women and the Periodical Press in China’s Global Twentieth Century: A Space of Their Own? (2018). She is also co-editor of Women Warriors and National Heroes: Global Histories (forthcoming 2020).
Peter Kornicki is Emeritus Professor of Japanese at the University of Cambridge and a Fellow of the British Academy. His most recent publications include Languages, Scripts, and Chinese Texts in East Asia (2018) and Captain Oswald Tuck and the Bedford Japanese School, 1942–1945 (2019).
Richard John Lynn (PhD, Stanford University) is Professor Emeritus of Chinese Thought and Literature at the University of Toronto and a Fellow of the Royal Asiatic Society of Great Britain and Ireland. His publications include The Classic of Changes: A New Translation of the I