Getting Reel: A Social Science Perspective on Film
Powered By Xquantum

Getting Reel: A Social Science Perspective on Film By Michael D. ...

Chapter VI:  Appendix
Read
image Next
    VI. Mature, challenging films: Trainspotting; Crying Game; Boys Don’t Cry; Clockwork Orange; Butcher Boy; Swept Away; La Cage Aux Folles; Paris Texas; Magnolia; Lone Star; Fight Club; A Simple Plan; One False Move; Slingblade.
    VII. Quirky fun: Nightmare Before Christmas; Dr. Strangelove; Hard Day’s Night; Pee Wee’s Big Adventure; 1000 Clowns; Morgan; Harold and Maude; Blues Brothers; Repo Man; Tremors; Amelie; Harvey; Les Comperes; Bottle Rocket; MASH.
    VIII. Imagination: Memento; Being John Malkovich; What Dreams May Come; Navigator; After Life; Map of the Human Heart; Time Bandits; Purple Rose of Cairo; Amelie; King of Hearts; Field of Dreams; Sliding Doors.
    IX. Classics: African Queen, It’s a Wonderful Life; Godfather I and II; One Flew Over the Cuckoo’s Nest; 42 Up; To Kill a Mockingbird; Casablanca; Patton; The Right Stuff; Shakespeare in Love; Bonnie and Clyde; Lawrence of Arabia; Apocalypse Now.
    X. American Pluralism: Pow Wow Highway; Smoke Signals; El Norte; Hollywood Shuffle; Do the Right Thing; BoyzNtheHood; Stand and Deliver; Joy Luck Club; Girlfight; The Landlord.
    XI. Imaginative Adventure: Peggy Sue Got Married; Back to the Future; Total Recall; Road Warrior; Heaven Can Wait; Terminator; Indiana Jones; Star Wars; E.T.; Mad Max Beyond Thunderdome; The Matrix.