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debauchery, novels of, 184 |
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Deer and the Cauldron, The,, 19, 22, 60, 65, 78, 96, 148, 168, 231 |
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jianghu in,, 2 |
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hybridity of Chinese identity in, 13 |
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footnotes in, 63 |
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confrontations between Han and Manchus in, 122, 129, 130, 132 |
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anti-wuxia novel, 128 |
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hybridity and Wei Xiaobao in, 137–141 |
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translation of, 202–217 |
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irony in, 234–239 |
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Buddhism and, 222 |
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gongfu classics in,, 161–163 |
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Ni Kuang’s contribution to, 93 |
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picture manuals in, 249 |
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trope of the innocent in, 110 |
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Wu dialect in, 82 |
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desheng huitou, See achieving victory and turning around |
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Diamond Sutra, 110 |
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Diaspora, 2–5 |
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contemporary global Chinese, 262–266 |
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paradigm of, 13 |
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text and, 109 |
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“transnational framework” of, 208 |
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writing in, 193–198 |
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Dispute of the Swords on Mount Hua,, 104 |
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“Divorce”, 68 |
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Dongnanya zhoukan, See Southeast Asia Weekly |
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Dongxie xidu, See Ashes of Time |
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Duosan Tanan,, 44 |
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Eagle-Shooting Heroes, The,, 78, 87, 88, 103, 118, 122, 125, 127, 135, 161, 163, 172, 194, 271 |
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Eighteen Dragon-Quelling Palms, 41 |
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enlightenment, Buddhistin Song of the Swordsman,, 119n.10, n.12, 116 |
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Jin Yong’s critique of, 15 |
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Ernü yingxiong zhuan, See Biography of Heroes and Beauties, The |
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Fan Li, 169 |
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fangyan, See dialect, regional |
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Fantastic Knights-Errant of the Rivers and Lakes, The,, 44, 133, 295 |


