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One can be a chameleon, able to defend friends and kin with superb skills, and strategically put up an identity in the market place or political arena, without pledging allegiance to a party, a discourse, or a nation. Thus, the essence of Chinese culture may also be a self-critical spirit that disavows the rigid, official definition of Chineseness. This cosmopolitan diversity in unity appeals greatly to those in China and the West who yearn for a common culture as it was envisioned and practiced by the wandering knight-errant, without being tied to Chinese soil or identity.
The authors in this volume examine the martial arts tradition from many vantage points, and are able to situate the tree within the forest of culture, history, and politics. These collected essays make a great contribution to a historically nuanced image of China. These days, many students and readers are introduced to Chinese culture, not by studying the Chinese language or classics, but by way of the martial arts. The martial arts may or may not serve as an appetizer leading to the main course. This volume will shepherd intrigued guests directly to the main course and into the temple of Chinese history and culture.
Ban Wang
Rutgers University