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iii. Women—Fetishized as Objects to be Looked At |
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iv. Neo-femininity in l’écriture féminine |
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V. Dai Chun-fang’s Willow Dreams of Plum |
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i. Adapted from the Kunqu Peony Pavilion |
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ii. Love and Miracles—Revival from Death |
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iii. Performativity—Gender Masquerade |
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iv. Gender as a Social Gestus |
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VI. Wu Xin-chu’s Slut Antigone |
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i. Gender and Politics |
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ii. Feminist Postcolonial Discourse |
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iii. Intercultural Elements |
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VII. International Women’s Theater Festival |
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i. Summary |
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Chapter Four: Intercultural Theaters in Taiwan: Interculturalism, Orientalism, Performance Studies and Feminist Post-colonialism. |