Alternative Theater in Taiwan: Feminist and Intercultural Approaches
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ii. East and West

54

iii. Summary

54

Chapter Three: Feminist Theater in Taiwan

57

I. Gender in Postcolonial Taiwan

57

i. Performing Politics in the Legislative Yuan—Politics as Performance

54

ii. The Importation of Western Feminisms to Taiwan

64

II. Stage Productions in Taiwan

67

III. Chou Hui-Ling’s Creative Society

67

i. The Lesbian Subject as the “Not …But”

68

ii. Gender—Performative Act

71

iii. Man as Bearer of the Look / The Male Gaze and the Representation of Women

72

IV. Wei Ying-chuan’s Shakespeare’s Wild Sisters Group

78

i. Psychoanalytic Interpretive Strategy of Viewing

81

ii. Scopophilism & Narcissism

81