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Hong Kong Drama Review, , 192 |
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Inter-referentiality, 175 |
Intercultural Theater, xxi, 15, 55, 111, 113–116, 119, 120, 132, 139–142, 152–154, 202 |
Interpretation, xix, 2, 3, 15, 47, 67, 85, 112, 118, 119, 151, 189, 204 |
I Want You, I Want You Not,, 67 |
Journey to the West, , xxi, 3, 16, 35, 155–158, 160–162, 166, 196, 203 |
Lai, Stan (Lai, Sheng-chuan), xxi, xxvi, 3, 16, 32, 34, 36, 37, 46, 50, 51, 112, 155, 156, 168, 172–175, 190, 196, 197, 203 |
L’écriture feminine, 64 |
Lee, Rachel, xxv |
Lesbian, xx, 1, 6, 8, 11–14, 53, 63, 64, 68–72, 75, 77–79, 85, 88, 91, 92, 94–98, 101, 110, 189, 201, 202 |
Les Opéras Parfumés, , 14 |
Little Theater Movement, 4, 22, 30, 31, 54, 55, 130, 199, 200 |
Male Gaze, xx, 6, 16, 25, 62, 68, 72, 73, 84, 109, 113, 134, 145, 146, 148, 200, 201 |
Mise en Scène, , xxvi, 9, 19, 40, 41, 49, 67, 90, 98, 103, 132, 153, 185, 190 |
Nostalgia, 16, 18, 36, 149, 156, 170, 177, 178, 180, 196, 203 |
Oresteia, , xxi, 3, 15, 33, 111, 112, 119–122, 124, 126, 128, 132, 202 |